[Infowarrior] - Fwd: referral: The Fake News Fallacy
Richard Forno
rforno at infowarrior.org
Fri Sep 22 06:05:52 CDT 2017
> Begin forwarded message:
>
> From: dan
>
> Worthwhile article from the New Yorker magazine
>
> https://www.newyorker.com/magazine/2017/09/04/the-fake-news-fallacy
>
> --dan
>
>
> The Fake-News Fallacy
> Old fights about radio have lessons for new fights about the Internet.
>
> By Adrian Chen
>
> Radio, in its early days, was seen as a means for spreading
> hysteria and hatred, just as the Internet is today.
>
> On the evening of October 30, 1938, a seventy-six-year-old
> millworker in Grover's Mill, New Jersey, named Bill Dock heard
> something terrifying on the radio. Aliens had landed just down
> the road, a newscaster announced, and were rampaging through the
> countryside. Dock grabbed his double-barrelled shotgun and went
> out into the night, prepared to face down the invaders. But,
> after investigating, as a newspaper later reported, he "didn't
> see anybody he thought needed shooting." In fact, he'd been duped
> by Orson Welles's radio adaptation of "The War of the Worlds."
> Structured as a breaking-news report that detailed the invasion
> in real time, the broadcast adhered faithfully to the conventions
> of news radio, complete with elaborate sound effects and
> impersonations of government officials, with only a few brief
> warnings through the program that it was fiction.
>
> The next day, newspapers were full of stories like Dock's. "Thirty
> men and women rushed into the West 123rd Street police station,"
> ready to evacuate, according to the Times. Two people suffered
> heart attacks from shock, the Washington Post reported. One
> caller from Pittsburgh claimed that he had barely prevented his
> wife from taking her own life by swallowing poison. The panic
> was the biggest story for weeks; a photograph of Bill Dock and
> his shotgun, taken the next day, by a Daily News reporter, went
> "the 1930s equivalent of viral," A. Brad Schwartz writes in his
> recent history, "[23]Broadcast Hysteria: Orson Welles's War of
> the Worlds and the Art of Fake News."
>
> This early fake-news panic lives on in legend, but Schwartz is
> the latest of a number of researchers to argue that it wasn't
> all it was cracked up to be. As Schwartz tells it, there was no
> mass hysteria, only small pockets of concern that quickly burned
> out. He casts doubt on whether Dock had even heard the broadcast.
> Schwartz argues that newspapers exaggerated the panic to better
> control the upstart medium of radio, which was becoming the
> dominant source of breaking news in the thirties. Newspapers
> wanted to show that radio was irresponsible and needed guidance
> from its older, more respectable siblings in the print media,
> such "guidance" mostly taking the form of lucrative licensing
> deals and increased ownership of local radio stations. Columnists
> and editorialists weighed in. Soon, the Columbia education
> professor and broadcaster Lyman Bryson declared that unrestrained
> radio was "one of the most dangerous elements in modern culture."
< - >
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